In the summer of 2018, during the third test between Australia and South Africa, the TV cameras at Capetown showed Cameron Bancroft applying sandpaper to the ball. This attempt to make the ball swing unnaturally was and remains one of the most egregious examples of cheating in a game which prides itself on its ‘gentlemanly’ behaviour.
 
Rightly, it took down not solely Bancroft, but also the Australian captain, Steve Smith, and the vice-captain, David Warner. All three were suspended, sent home, and banned from the game. The coach, Darren Lehmann, also resigned from his post.
 
Throughout the world of cricket, the shock and anger was palpable. And it was no consolation for English fans that the culprits were Australian. It was an assault on the game itself and we were all affected.
 
We now know that, at the same time, the other great summer game, baseball, was also under threat.
 
The Astros were stealing signs, using a video camera in centre field. They did so during their World Series-winning 2017 and again in 2018.
 
And the man who was ‘an active participant in the scheme’ was the Astro’ bench coach.
 
Alex Cora.
 
Alex, who won his successive World Series ring with us in 2018, is no longer in charge at the Red Sox, who acted quickly and definitively when the MLB report was published.
 
The Sox did not wait for the verdict of the parallel investigation into the steal-signing allegations in during the annus mirabilis of 2018.
 
They fired him. I guess even Alex realised that there was no future for him. Not at Fenway. Probably not in baseball.
 
Why? Why did he do it?
 
Because the pressure for success from owners and fans is so overwhelming? Because the need to win is more important than the game itself? Because the distinction between success and failure is so small that the tiniest advantage is worth the risk?
 
Barry Bonds was the greatest player of his generation before he embarked on his steroids. Lance Armstrong would have been a Tour de France winner without blood transfusions. Steve Smith is one of the greatest players cricket has seen.
 
The Red Sox would probably have won the World Series without steal-signing. So would the Astros the year before.
 
The outrage we feel is moral outrage. The individuals  involved have been named and shamed, the Series championships won by the Astros and the Sox will be accompanied by an asterisk.
 
But the loss is the game itself. And on its behalf, I am not just disappointed. I am angry.

Today from the everysmith vaults: Chris Forsyth from The Colony in Woodstock at the turn of the year. A great performance and a great, warm recording. 
 

When Matt Western, our local MP, his face full of gravitas (not a trace of a smirk), approached the Speaker on Saturday afternoon, he made one of his most telling announcements of his parliamentary career. “The ayes to the right: 322” he declared. “The noes to the left: 306.”
 
He did not, as he might justifiably have done, then raise an index finger in the direction of the prime minister. But I, virtually and triumphantly, did.
 
Not because the passing of the Letwin amendment throws the Brexit nonsense into yet more confusion – although it does.
 
Not because it is yet another defeat for a prime minister who is uniquely unqualified for (and should be disqualified from) his office – although it is.
 
And not because I am enjoying this saga of shenanigans, this cycle of crassness, any more than anyone else – although, perversely, I am.
 
It is because this decision is too important to be decided by lies and ego. It is too important to be rushed through without due diligence.(Even the most academic of our MPs cannot be expected to read and digest thousands of words of gnomic prose in such a short time.)
 
And it is because, underpinning the whole Brexit debate, is the hard-/alt- right agenda which will see us denying workers’ rights, diminishing and deregulating our economy, opening ourselves to a Trump take-over of our NHS and other institutions.
 
Except, paradoxically, in Northern Ireland, which will continue to be subject to EU Law, including the European Court of Justice.
 
Lucky them.
 
I have no idea what will happen in the coming hours, days, weeks and months.
 
The Withdrawal Agreement Bill was released at 8pm last night. I didn’t read it. With a World Series about to start, I need to take every opportunity for sleep when I can. But nor can parliament be expected to take the most important decision for generations at such short notice.
 
And nor can parliament be expected to make the decision alone. At the very least, a confirmatory referendum is required.
 
Bizarrely, Labour is now the only party to commit to this.
 
It has taken months to arrive at this position, but it is the correct one. I applaud Matt Western, who was one of the first Labour members to come out in favour when so many of us were sceptical.
 
But that’s why we voted for him: for his judgement. And why, when the General Election is called, we will do so again.
 
 
Today from the everysmith vaults: I am told that an obscure Dead forum contained the following exchange over the weekend. Someone commented how nice it was to walk into a restaurant and hear Wake Of The Flood playing. To which someone else replied “was that Max’s in Leamington?” It wasn’t. But I am playing it in the office now if anyone wants to call by.

“He’s got a way with words and I do too” said Bob Dylan, referring to the poet, lyricist and his occasional collaborator Robert Hunter. “We both write a different type of song than what passes today for songwriting.” And Hunter felt the same about Bob.  “He’s the only guy I work with who I give the liberty to change things. After all, he is who he is.”
 
It has taken me some little time to get my (dead)head round the death of Robert Hunter, at the age of 78. Many Deadheads paid minimal or no attention to the lyrics of even the greatest songs in the canon. But I did. And the Dead did.
 
When the Dead was inducted into the Rock n Roll Hall of Fame, Hunter – who had never performed on-stage with them – was there, as a fully-fledged member of the band. And if there was occasionally a divergence in the visions of Hunter and Garcia – “For Christ’s sake, we’re a dance band. You might at least write something with a beat!” Garcia told him after perusing another bunch of lyrics – it is Hunter’s work, in for example Ripple, Dark Star, Saint Stephen, Terrapin which define the Dead, the latter being imho, a masterful version of Cavafy’s Ithaca.
 
When Jerry died in 1995, Hunter wrote what encyclopaedist Michael Gray called ‘a super-competent’ elegy:
 
Without your melody and taste
to lend an attitude of grace
a lyric is an orphan thing,
a hive with neither honey’s taste
nor power to truly sting.
 
But there is a case to be made for the true elegy being his collaboration with Bob on Together Through Life.
 
It’s a meditation on mortality and immortality, on the end of America. Beyond here lies nothing; life is hard; it’s all good.
 
How much is Bob’s and how much is Hunter’s? I don’t know, not for sure. But I do know that a stanza such as this must surely come individually and collectively from the relationship that both Bob and Hunter had with Jerry:
 
Ever since the day
The day you went away
I felt that emptiness so wide
I don't know what's wrong or right
I just know I need strength to fight
Strength to fight that world outside
 
Yeh, I know. They are not the best lines either of them wrote. But the sincerity and simplicity and authenticity is enough.
 
Both are clever wordsmiths. Both are masters of their craft. Both write a different kind of song.

But sometimes you don’t have to be a smart-arse for the sake of it.

Today from the everysmith vaults: Terrapin Station from March 1990.

It’s not dark yet … but it’s getting there. I’m a week into my eighth decade and on borrowed time. I’m not thinking (much) about the inevitable physical and mental decline which kicks in about now and some would say already has. I’m more concerned about the state of my nations, here in the UK and over in New England, the home of the Red Sox Nation.

I will be devoting a column to the fall from grace of the 2018 World Series Champions shortly when I’ve got my head round the sacking of Dombrowski and its timing as well as the underperformance of the team from the start to the probable finish of the season. But right now, with Parliament prorogued, the government in chaos, and the country divided, there can be no doubt about the theme for the week.
 
It is, of course, what Donald Tusk has called “a dog’s brexit”.
 
One of the tangential issues of the ‘debate’ has been the diminishing of language. I am conscious that I have been guilty of this as emotion and anger takes over from reason. But I use this word advisedly: it is a coup: a sudden, illegal, takeover of government.
 
As such, it must be fought by all means.
 
Parliament has made a start. A no deal brexit is illegal. The Court of Sessions has found that prorogation is also unlawful and it is to be hoped that the Supreme Court will, on Tuesday, find similarly. It is worth noting that the English court did not make a ruling about the legality or otherwise of the suspension; like Pilate, it washed its hands of the issue, stating that this was a ‘political’ matter that is the preserve of the ‘politicians’.
 
That is not a judgement. It is not even an error of judgement.
 
It is an avoidance of judgement. It is an evasion of judgement. It is a shirking of judgement.
 
So much for the rule of law.
 
In law, the referendum was advisory. It was not mandatory. The country cannot be held to a promise made by David Cameron a few days before he resigned and retired to his shepherd’s hut to write a book I shall never read but suspect will be exculpatory in the extreme. (And there is a great deal to exculpate, which probably explains the rumoured volume - sheer bulk - of the volume.)
 
In law, the prorogation is unlawful because of its motives and its duration.
 
In law, no-one is exempt from the law. Not even a prime minister.
 
I’m entering this eighth decade with a profound sense of foreboding. But I shall be consoled by the generosity of my family: my Dylan weekend chez Grey and Beattie, our night in the New Forest, my birthday lunch and my life in a cake.
 
Thank you. This decade is on loan from you.
 
Today from the everysmith vaults: As the talk turned to Dylan covers – covers of Bob and Bob covers of others – Ms Beattie introduced us to a version of Absolutely Sweet Marie by Jason & The Scorchers. I have played it at least once a day every day since my return to the UK and suspect I will continue to do so throughout the next decade.
 
​

​For many months, 29-03-2019 (03-29-2019 for my American readers) had been keenly anticipated in this household, though with mixed emotions. That Friday was, of course, the date on which for two years we had been led to believe we would leave the European Union. It was also, by tricks of time zones and scheduling, the opening day of the baseball season as the Sox took on Seattle in the early hours. I had hoped, naïvely perhaps, that the misery of the first would be outweighed by the joy of the second. In fact, both went haywire.
 
The UK is still in the EU, the relationship hanging by a thread as confusion reigns inside and outside Parliament. And on the West Coast, the World Series champions are currently 1-5, after being thrashed by the Mariners and failing to score on successive nights in Oakland.
 
Until the last couple of days, the confusing performances of a team which is essentially unchanged from the 108 game winners last year has been attributed to the rotation, which has been widely touted as the best in baseball. At its best, it surely is. But it would appear that all five are still only half way through spring training right now.
 
The velocity isn’t there. Location isn’t there.  We’ve had one quality start in six, in last night’s single run loss.
 
I watched a great deal of spring training. Afternoon games in the Eastern time zone are a delight for European fans, who can tune in at 6pm and enjoy a glass whilst taking vicarious pleasure in the Florida weather and the ballgame itself. And while winning the Grapefruit League comes quite a ways down on my list of priorities, it is always a pleasure to see a W or two.
 
Last year, there were many. And it showed in the 17-2 start which set the tone for the season and the post-season.
 
This year, not so much. In fact, we sat rock bottom in the Grapefruit League, under .500.
 
How many times have I been told that it doesn’t matter? Hell, how many times have I told people it doesn’t matter?
 
But it does. It is no accident, as Marxists would say, that the excellent results last year translated into excellent results in the season. And it is no accident that the dismal results this year evolved into this dismal start.
 
I understand that the pitchers need to be stretched. I appreciate that the hitters need to regain last year’s fluency of swing. I recognize that the development of fitness and skills is a gradual process.
 
But I am confused as to why Cora thought that, for example, Sale could open the season after just two short appearances in Florida. I am confused as to why he would, after such an outstanding spring training last year, change tack completely and adopt a totally different approach.
 
But what do I know? Only that confusion reigns. In the Red Sox camp and the Commons alike.
 
 
Today from the everysmith vaults:  A gig which took place on the fateful day of 29-03-2019. I like Garcia Peoples, but I love Chris Forsyth. And the nyctaper recording of the show demonstrates why. A good, energetic set from the band. And then an hour of extraordinary stuff with Chris Forsyth: Techno Top > The Calvary Cross > The Other One. Mesmerizing. Literally.

"PLEASE ACCEPT MY RESIGNATION. I DON'T WANT TO BELONG TO ANY CLUB THAT WILL ACCEPT PEOPLE LIKE ME AS A MEMBER".
 
Thus the telegram sent by Groucho Marx to a Los Angeles club.

Nobody likes a quitter. Unless you are the MSM or the BBC and the quitters in question are walking out on a party with a manifesto which has inspired thousands of members and millions of voters. Their increased majorities in the last election were not, as Len McCluskey observed, down to their “personal charisma”; it was down to a Labour manifesto, a Labour campaign, and Labour activists.
 
As for me, I’m not angry. I’m disappointed. Seven individuals, each elected as a Labour candidate on a Labour manifesto, have declared that they number themselves amongst the few, the very few.
 
The good news is that the many remain. And remain the best hope for those, like me, who favour Remain.
 
I have issues with the incremental approach adopted by the Labour leadership in Parliament. But I understand that the bizarre public school debating society conventions of Parliament require some less-than-transparent manoeuvring in order to arrive at a result.
 
Despite this need, Labour – the many, not the few – has been on the right side of every vote relating to Brexit. And none of the seven has indicated that they would have voted otherwise in any of them. Nor have they put forward any different policy proposals, apart from Angela Smith’s commitment to the continuing privatization of the water industry which she shares with 1% of the population.
 
However you look at it, that’s not a vote for the many. That’s pretty much the definition of the few, the very few. And it will not include, obviously, those voters of a “funny tinge”, a statement which is the first genuinely racist comment I have heard from the Labour ranks in many years. (Sorry, ex-Labour – which is presumably why the BBC failed to report it, despite their daily accusations of Labour racism.) Another quitter, Chris Leslie, subsequently dismissed this phrase as “a slip”. Freudian, presumably.
 
I cannot tell you unequivocally that there is no anti-semitism in the Labour party. I can tell you that I have never heard a single anti-semitic remark and nor do I know anyone who has. Not even Chuka Umunna claims to have done so: “Some have suggested that there is institutional anti-Semitism across the whole of the Labour party – this is not a view I share, not least because I have not seen one incident of anti-Semitism in almost 20 years of activism within my local Labour party”. And yet hundreds of thousands of Labour members are being characterized as anti-semitic, and are being accused of a creating a culture of “bigotry, bullying and intimidation”.
 
Honestly, I resent this. At best, it is disingenuous. At worst, it is the kind of smear they claim to be opposing.
 
I have written before, on the occasion of Frank Field’s resignation, that I respect and honour the tradition within the Labour party represented by Field and Umunna. It is part of the movement in which I have supported for half a century. And I reiterate now my concern at the time:
 
With their actions and slurs, the splitters are undermining their own tradition and their relevance to the many, not the few.
 
Today from the everysmith vaults: My nephew, Gareth Brynmore John, has recently released a recording of Mahler’s Lieder Eines Fahrenden Gesellen with Trevor Pinnock. It is quite beautiful and I commend it to you.

Anyone who has penned a single word about sport will be in awe of Hugh McIlvanney, who died last week. We will miss his insights into and understanding of his subject; but most of all, we will miss his prose. Few writers have managed to articulate so beautifully the cathartic power of, in particular, football and boxing. Fewer still have been able to communicate the exhilaration and despair of those spots of time – memorable moments of triumph or despair which occur in almost every sporting contest.
 
The author Rick Gekoski, no mean sportswriter himself, once wrote that “Sport makes you write, and think, and feel, in exclamation marks”. Which is true for even the most seasoned of us. In 2004, the Boston Globe headlined the Sox World Series victory, their first since 1918, in this way: YES!!! Nothing nuanced: just one word, one syllable, in capitals, with no less than three exclamation marks (or screamers as they are known).
 
I doubt whether McIlvanney would have done this. However tight the deadline, his judgements were as measured as his prose. The emotional sub-text was implicit rather than overt.
 
It is because I lean towards Rick and the Globe in my response to great sporting events that I admired McIlvanney so much. Although he insisted on being known as a ‘reporter’, he was not. One did not turn to his piece to find a blow by blow account of a bout or a goal by goal record of a football match. We valued his writing because it concerned itself with what it meant: to the players, to the coaches, to those who were present as spectators. It is significant that he numbered amongst his closest friends those who were involved totally in the sports about which he wrote. They – Jock Stein, Bill Shankly, Alex Ferguson, Angelo Dundee – knew that he knew and understood as much about their game as they did.
 
In a few weeks, I will be taking part in a round table at the History Department of Warwick University which concerns itself with sportswriting. My fellow panellists – Dave Sternburg, Simon Hart – are stars in the firmament. I am not.
 
Although I am on record with my views about Coventry City Football Club and Warwickshire County Cricket Club, my prime focus is on my beloved Boston Red Sox and the life of a fan based in the baseball desert which is the United Kingdom. (Although judging by the demand for tickets for the Yankees games at the London Stadium this summer, there are more of us in this country than we imagine.)
 
I tend not to engage in a recitation of baseball stats – when I did I was mildly chastised for doing so. Rather, my subject is my very personal and particular experiences of being a fan of a team which plays 3,000 miles away from my home.
 
In many ways, and certainly in the great order of things, it is a trivial pursuit. But almost every night, as I tune in to mlb.tv, I know that I will almost certainly witness something that only sport can provide:
 
In the words of Hugh McIlvanney, “a magnificent triviality”.
 
 
Today from the everysmith vaults: After the fine performance of the Shostakovich String Quartet #2 in A major (actually mostly in A minor) by the Carducci Quartet on Friday evening, I am working my way through their Shostakovich cycle, including an advance copy of their new recordings of #1, #2 and #7. Magnificent and not trivial.

​

Sorry about this, but it’s Brexit again. This post could have been about the failures of Universal Credit. It could have been about the decline of Britain’s high streets, with specific reference to the plans of Warwick District Council for the destruction of Leamington Spa. It could have been about the proposed redundancies at Jaguar LandRover, a move which is going to have a major impact on our town as well as the country. It could have been about Andrew Neil’s extraordinary attack on Owen Jones or the last two columns by Nick Cohen – the one in The Observer demonstrating a disturbing familiarity with spanking literature, and the second, in The Spectator, the magazine for which Andrew Neil bears no responsibility, concluding that Corbyn and Trump are identical. Or it could have been about my plans to set up a shipping company and bid for a government contract. I reckon I could do it for less than £13.8 million, especially if I don’t buy any ships.
 
All these subjects have exercised me during the last couple of weeks. But they all come down to Brexit in the end, right? And with a mere two days of debate in the Commons remaining before the ‘meaningful’ vote on Tuesday, the media is full of it – and, to add an unvoiced fricative, full of shit too.
 
So here’s my two penn’orth.

​I am a Remainer and a Labour voter. As such, I am against even a soft Brexit. ‘Remain and reform’ was and remains my preferred policy. While I respect the result of the referendum, which does not mean that I either agree with it or believe it should be implemented, I do not respect the referendum itself, which was a crass proposal in the first instance and won with a combination of lies, illegal funding and dubious digital media.
 
What did impress me during the referendum was the Leave slogan. “Take Back Control” was and is a good line, and watching Cumberbatch in The Uncivil War the other night, one was surprised at the length of time it took for Dominic Cummings to arrive at it. It’s a nonsense of course, but it means all things to all men and thus appealed, if not to all men and women, at least to 52% of them. It appealed to nostalgic Little Englander Tories in Surrey and austerity-hit working class voters in the north, who had been told by successive governments – from Thatcher onwards – that the EU was the problem.
 
The irony of course is that parliament is now taking back control over the executive, and this is, in no small measure, the result of a precedent-breaking decision by Speaker Bercow.
 
He’s growing on me, is John Bercow. Preening popinjay perhaps, but he is showing himself to be a man who respects parliamentary democracy both in principle and in practice. In the face of the growing power of government, there is not a huge amount he can do, but what he can, he does.
 
One of the revelations of the recent shenanigans in the Commons has been the fact that many parliamentary votes are meaningless, having no force in law. They are, at best, “advisory”, nothing more than a demonstration of feeling.
 
Which is of course exactly what the referendum was. True, promises were made during the course of the campaign. But primarily by those who promptly resigned from positions which might give them any power over such a decision. Where are you now, Dave? 
 
So what will happen on Tuesday and on the 29th of March?

My prediction is that we will find ourselves in, to coin a meme, an existential crisis.

The phrase is widely used, and almost always misused. But it means one thing:

We're fucked.

Today from the everysmith vaults: In these strange times, it's time to dig deep into the depths of the vaults. Today's esoterica is the Captain's Bat Chain Puller.
 

Christmas itself was pretty much Brexit-free. The children and especially the machatunim and I have an unspoken agreement that we do not discuss politics - even having drink taken. So Christmas dinner passed happily in a mist of fine claret and praise for our shared grandchildren, the contributions each of us had made to the festivities and the shocking grammar of the questions in Trivial Pursuits. It was all going so well.
 
Until Boxing Day.
 
Early in the afternoon, at a drinks party in the depths of south London, I was introduced to a Frenchman, resident in this country and married to an English woman. The initial small talk exhausted, we moved - inexorably you may think – to the situation in which an EU citizen finds himself, living and working in a country which is veering vers une catastrophe.
 
I ventured a mildly critical remark about Government policy and the shambles that is the Tory party. Common ground, surely.
 
“Non! It is that anti-semitic moron Corbyn who is to blame. He is a moron. A moron!”
 
I was taken aback by his vehemence and temporarily speechless. I remembered the promises I had made – to Jill and myself – about discussing politics with total strangers and resolved to remain calm, reasoned, civilized; to eschew ad hominem attacks; to demonstrate those qualities which I find attractive in Corbyn himself; to set an example to this angry young Frenchman.
 
I took a large gulp of the cru bourgeois Médoc which our host had provided for us, and inhaled deeply on my vaper. I was ready to respond and, I hoped, to maintain a form of entente cordiale.
 
“Au contraire” I said. “Monsieur Corbyn est un homme intelligent qui a horreur des attaques personnelles, préférant se concentrer sur les politiques. Certainement pas un crétin. Et certainement pas le politicien responsable du fiasco actuel."
 
"Phouf. Il est raciste, il est trotskiste, il est stupide."
 
What can one say? My Gallic shrug was not sufficient response, but it was all I had short of physical violence. So I shrugged as best I could and seized my empty glass.
 
"Vous avez tort" I told him, "mais maintenant j'ai un besoin urgent d'un autre verre." I walked towards the bar with as much dignity as I could muster, shaking my head with what I hoped he would interpret as more sorrow than anger.
 
In retrospect, I am sorry. Sorry that I was not minded to argue for longer with him, sorry that his view of Corbyn was moulded exclusively by the right wing press, sorry that someone who should be a natural ally was so clearly opposed to us.

Sorry too for the sorry state this country has come to.
 
He was still holding forth about Corbyn as we left to drive back to our pro-Remain, pro-Corbyn bubble in Leamington. I tapped him on the shoulder.
 
"Bonne année" I said. 

Today from the everysmith vaults: The Bob gurus have been telling me each Christmas that Christmas in the Heart is a fine album. I am not convinced, but it plays once a year in this household. And the time is now.

I’ve discovered a new podcast (and I commend it to you). It’s called American Scandal, and the opening episodes of Series 2 concerning long-term maladministration in Albany NY will resonate with anyone familiar with the shenanigans of the Tory cabal running the Warwick District Council here in England.
 
Albany NY has been called “the most dysfunctional state capital in the US”, and no-one argued. Governor Thomas Dewey initiated the process of Governor, Speaker and Majority Leader making all major decisions behind locked doors back in the 1940s, and it remained the convention until recently.
 
It would appear that, in Albany, key legislative decisions have been made by these “three men in a room” and their successors for three quarters of a century.
 
No consultation.

No transparency.

No accountability.
 
In Leamington, of course, it’s all very different. Our “three men in a room” are Councillors Mobbs, Rhead and Whiting and, like Brutus, they are all honourable men.

They are all Tories. They are all members of the WDC 'Executive'. They all serve on the Limited Liability Partnership set up by the Council with Cabot Square Capital.
 
And none of them live in Leamington or represent Leamington wards.
 
So that’s alright then.
 
I make no apologies for returning to this topic. Not least because the latest news is that, as part of a “Creative Quarter Draft Masterplan”, we have learned that Leamington’s Town Hall, opened in 1884, is mooted to become the location of a new restaurant and a private members club. (You’re right, it does sound a bit iffy.)
 
As you may infer, the “three men in a room” have been particularly creative this time, eschewing the boringly obvious solution of moving WDC offices to the under-utilised Town Hall in favour of constructing new headquarters and transforming an existing (and rather splendid Victorian) headquarters building into a restaurant and private club.
 
I mean, Leamington is crying out for more of these. I bet they could get hundreds on the streets, demonstrating in favour of this dynamic development.
 
But of course, our three men in a room seldom pay attention to the views of Leamington residents however they are expressed.
 
We’ve written letters and emails. We’ve called public meetings. We’ve signed petitions. We’ve rallied and we’ve marched.
 
It makes no difference. They do what they want. And in my humble opinion, it’s a (very English) scandal.
 
Today from the everysmith vaults: Speaking of the unspeakable, I’ve been listening to Bill Frisell a great deal recently and, serendipitously, arrived at Unspeakable, his 2004 album, as I typed this. By turns raucous and melodic, it’s a joy throughout. His jazz sensibility and love of Americana gel beautifully.